Location

Country: UK
City: London
Place: Government Art Collection

This aquatint print is the result of a collaboration between the English artist Thomas Rowlandson and French architectural draughtsman Augustus Charles Pugin. Pugin drew the architectural scenes and Rowlandson added the characters. It is an illustration to 'The Microcosm of London', a series of aquatints with accompanying texts concerned both with the antiquities of London and contemporary life in the city. The work was published by Rudolph Ackermann, the most important publisher of illustrated books in England during the first half of the 19th century, who worked from ‘The Repository of Arts’ (the premises of his publishing business) on the Strand. Issued in monthly installments from 1808 to 1810, 'The Microcosm of London' eventually comprised three volumes, which together contained over 100 illustrations.

Augustus Charles Pugin fled to England in the 1790s, either because of his Royalism or on account of a duel. He seems to have landed in Wales, where he became a friend of the architect John Nash (1752–1835). He worked as a general artist, providing designs for Nash and painting scenery, before moving to London and studying at the Royal Academy Schools. He first exhibited architectural designs at the Academy in 1799 and, from 1807, began to exhibit at the Old Watercolour Society. Pugin worked on several projects for Rudolf Ackermann, including plates for The Microcosm of London and The Abbey Church of Westminster (1811–12). During this period he set up a school of architectural drawing and began to publish his own works. He was the father of A. W. N. Pugin, who designed the interiors of the Houses of Parliament.
John Bluck was an aquatint engraver, mainly of topographical views, but also of marine and sporting subjects after his contemporaries. He produced plates for numerous publications.
Thomas Rowlandson was born in London, the son of a bankrupt wool and silk merchant. He studied at the Royal Academy Schools, making a trip to Paris during his time there, and won the silver medal in 1777. During the next two decades he made several continental tours, visiting France, Italy, Germany and Holland, as well as travelling extensively in England and Wales. He exhibited from 1775 to 1787 and, in 1789, received a legacy from an aunt, which he is said to have gambled away. From 1798, much of his work was for Rudolf Ackermann, most notably his illustrations for the three Tours of Dr Syntax (published 1812, 1820, and 1821) and The Microcosm of London (1808–10). He revisited France in 1814 and Italy in about 1820. Rowland continued to work almost until the end of his life. He is most famous as a caricaturist, but his work also included figure studies, portraits, marine subjects and landscapes.

Places

England, London, Islington, Coldbath Fields Prison, Clerkenwell

Subjects

bathing, topography, Victorian Genre, 19th century costume, prisoner, pump, prison, window

Materials & Techniques

aquatint, coloured aquatint

Artist

Auguste Charles Pugin (1762 - 1832)
John Bluck
Thomas Rowlandson (1756 - 1827)

Title

Water Engine, Cold-Bath-Fields Prison

Date

1 May 1808

Medium

Coloured aquatint

Acquisition

Purchased from Agnew's, June 1962

GAC number

5821