This 18th-century view of Fish Street Hill, a bustling London street on the north side of London Bridge, is dominated by the Monument, beyond which the Church of St Magnus the Martyr can be seen. Commissioned from the architect Sir Christopher Wren, the Monument was built in the wake of the Great Fire of London. The huge pillar, a fluted Doric column, is topped by a flaming urn. It stands 202 feet tall and is located about 202 feet from the site of the baker's shop in Pudding Lane, where the fire began. In September 1666 it took less than a week for the Great Fire to destroy 13,200 houses, 87 churches and St Paul's Cathedral. The Monument was unveiled in 1677 as a reminder of the dreadful fire and a symbol of the city’s rebirth.
Giovanni Antonio Canal (Canaletto) was born in Venice, the son of a scenery painter. He probably trained under his father and assisted his father in Venice and later Rome, before returning to Venice to join the Venetian painter’s guild. His early works were mainly ‘capricci’, sold locally. During the 1720s he began painting Venetian views and met his foremost patron; Englishman Joseph Smith. Smith lived on the Grand Canal and built up the most important collection of Canaletto’s work. It was sold to George III in 1762 and remains in the Royal Collection. Canaletto moved to London in 1746, living in Soho for ten years. In 1763, after returning to Venice, he was elected to the Venetian Academy and appointed head of the Collegio dei Pittori.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.