Grandma’s Hands

Born in Venezuela in 1983 to Grenadian and Haitian migrant workers, Alvaro Barrington was raised between the Caribbean and Brooklyn, New York, by a network of relatives. He says, ‘When you look at my paintings, you’re encountering parts of my identity. I grew up in a culture where it was really about erasing hierarchies, where we’re all participating in cultural production.’ He now lives and works in London, and an unwavering commitment to community informs his wide-ranging practice. His approach to painting is equally inclusive – embracing non-traditional materials and techniques such as burlap, concrete, cardboard and sewing – and infused with references to his personal and cultural history. Influence and exchange are crucial to the artist, who draws upon a host of artistic and cultural references in his work. His resolutely interdisciplinary approach follows in the footsteps of Robert Rauschenberg’s groundbreaking Combines, which he references by incorporating real objects into the picture plane, including tyres, carpets, steel drums, brooms and fans. He is an artist who is continually expanding his constellation of references, inspirations and communities, while always acknowledging the formative role of art history in his practice. While Barrington considers himself primarily a painter, his artistic collaborations encompass exhibitions, performances, concerts, fashion, philanthropy and contributions to the Notting Hill Carnival in London.

Places

Subjects

Materials & Techniques

Artist

Alvaro Barrington (1983 - )

Title

Grandma’s Hands

Date

2020

Medium

Lithograph, Edition of 40 (plus artist and school proofs)

Acquisition

Purchased from The Hepworth Wakefield, October 2023

Provenance

The Hepworth Wakefield; from whom purchased by UK Government Art Collection, 5 October 2023

GAC number

19223