Still Life with Artifical Flowers
About the artist
Born in Birmingham, as the youngest of eight siblings, Hurvin Anderson was the only child not to be born in Jamaica, instilling an interest in his dual identity that plays throughout his work. He graduated from Wimbledon School of Art in 1994 and his distinct painting style is informed both by British painters such as Leon Kossoff, Michael Andrews and David Hockney, as well as a generation of Black British artists, Sonia Boyce, Eddie Chambers and Keith Piper. Anderson’s vibrant paintings draw on the genres of still life, landscape and portraiture to explore the way community and identity can be represented. Repeated images, such as the interior of barbershops, appear throughout his paintings as places synonymous with enterprise, affirmation and community for many Afro-Caribbean migrants. His work pays homage to this cultural history and explores themes of memory, identity and nationhood. Selected solo exhibitions include Backdrop, Art Gallery of Ontario, Toronto, Canada (2016); Dub Versions, New Art Exchange, Nottingham, UK (2016); Backdrop, CAM, St Louis, USA (2015); Reporting Back, IKON Gallery, Birmingham, UK (2013); and ART NOW: Hurvin Anderson, Tate Britain, London, UK (2009). He was shortlisted for the 2017 Turner Prize.
Hurvin Anderson (1965 - )
- Still Life with Artifical Flowers
- height: 75.2 cm; width: 56 cm
- Commissioned by the Government Art Collection for the inaugural year of TenTen the GAC/Outset Annual Award sponsored by Sybil Robson Orr and Matthew Orr, 2018
- GAC number