In this half-length portrait, Henry VIII is depicted wearing a very fine linen shirt and an asymmetrical doublet with a low neck and gold brocade worn under a matching jerkin. The clothing, specific of the ‘Almain’ style and the accessories, are suitable for the period in which the portrait was made (i.e. 16th century).
While some scholars have pointed out that this may be one of the earliest surviving portraits of Henry VIII, painted in the first decade of his reign, others have contested this view and suggested that it may date from the end of the 16th century. A consensus, however has been reached in that it may have formed part of a set depicting European rulers of the early 16th century.
In his iconographic study of Henry VIII, Roy Strong classifies this portrait as ‘Type II’, of which it is one of two from the same pattern (in a private collection).The Latin inscription would suggest that the painting was produced for the European continent as it identifies Henry as the king of England.
Possibly with Count Alessandro Contini-Bonacossi (1878-1955); Achillito Chiesa Esq., Milan (after 1920); The Achillito Chiesa Collection Sale (Part IV), American Art Association Inc., New York, 22 November 1927, lot 35 (as School of Jean Gossaert Mabuse); William Randolf Hearst (1863-1951), New York; Gimbel Bros. Inc., New York, 1941; LeBaron S. Williard Jr., Maryland, Baltimore; Private collection, USA until 2014; The Weiss Gallery, London.
Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.
Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.