Search Results for: "Foreign
Tacita Dean announced for Government Art Collection Commission
Spoliation of works of art during the Holocaust and World War II period
GAC historical curator, Dr Laura Popoviciu interviews Paul Brummell, Head of Soft Power and External Affairs at the Foreign and Commonwealth Office.
The Government Art Collection dates back to 1899 when a small number of portraits and landscapes were bought for government offices as an economical way of sprucing up tired-looking rooms in Whitehall.
By the 1930s, diplomats and officials became accustomed to working alongside historical artworks from the Collection and it was clear that art in embassies had an impact on how these buildings were experienced by visitors.
In 1925, a Hungarian nobleman of Polish origins, named Tibor Scitovszky de Nagyker, and his wife Hanna, built and occupied an elegant villa in neo-baroque style in the hills of Buda in Hungary.
The story of not just one but three British Embassies in Germany and the art that has been displayed in them.
Works from the Collection are regularly on the move. Find out about what’s needed to make this happen and the job mission of the art works themselves
Dr Claire FitzGerald, Curator (Modern & Contemporary) tells us about her love for uncovering the stories hidden within the Government Art Collection
Among the many aspects involved in being Deputy Director and Senior Curator at the Government Art Collection, Eliza Gluckman shares insight into one of her projects: curating the contemporary display in Paris
The British Ambassador’s Residence in Vienna opened in 1875. It has the distinction of being one of the earliest buildings constructed for that purpose which remains in use as a British Ambassador’s Residence.
Images of British monarchs and famous figures brought a sense of stature to entrance halls and state rooms. The presence of works like these in embassies, started to raise awareness of the powerful cultural diplomatic role that art could play.
Works of art from the Collection are particularly well represented in New York City. The displays show the wide span of the Collection, from portraits and landscapes by 17th-century painters to works by several of Britain’s leading contemporary artists.