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Jan Siberechts’ painting ‘View of Longleat’ features in the British Galleries at the Victoria and Albert Museum as part of a long-term loan.
In this blog, Dr Laura Popoviciu gives an insight into the history of the British Embassy in Paris during the 19th century through a selection of historical works of art on loan to the embassy from the Government Art Collection.
Images of British monarchs and famous figures brought a sense of stature to entrance halls and state rooms. The presence of works like these in embassies, started to raise awareness of the powerful cultural diplomatic role that art could play.
After the War, several new works entering the Collection were displayed at 10 Downing Street, reflecting the mood of post-war Britain
By the 1930s, diplomats and officials became accustomed to working alongside historical artworks from the Collection and it was clear that art in embassies had an impact on how these buildings were experienced by visitors.
The Government Art Collection dates back to 1899 when a small number of portraits and landscapes were bought for government offices as an economical way of sprucing up tired-looking rooms in Whitehall.
Learn about the Collection's latest loans of art to museums and exhibitions
The funding and provision of art for government buildings and embassies paused during the Second World War. A small number of works were lost, damaged or destroyed as a result of the hostilities. One exception was Battlefields of Britain by Christopher R. W. Nevinson.
Among the many aspects involved in being Deputy Director and Senior Curator at the Government Art Collection, Eliza Gluckman shares insight into one of her projects: curating the contemporary display in Paris
Two decades at the GAC: stories from behind-the-scenes as told by Chris Christophorou, Technical Manager
Tim Hitchens was Britain’s Ambassador to Japan from 2012–2016 and during that time, the GAC worked with him to curate new displays of art for the Embassy and Residence in Tokyo. In this interview from 2015, he reflects on the role that art played on site.
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The story of not just one but three British Embassies in Germany and the art that has been displayed in them.
Moving away from its imperial past and engaging with a new postwar world order, Britain began building and shaping a new identity at home and abroad.
The Government Art Collection has a substantial library of images of the Collection and these are available for commercial reproduction, educational or personal use.
The role of the Advisory Committee is to approve the acquisition and commission of works of art and to advise on the policy and stewardship of the Collection. See who the current members are.
Our Digital Media & Photography Manager, Tony Harris, takes us behind-the-scenes for the careful process of photographing Lucy Skaer’s Me VIII (2012), as part of his job doing the photo-documentation of the Collection.
Paintings by Jessica Dismorr and Winifred Nicholson on loan to the exhibition, 'Radical Women: Jessica Dismorr and her Contemporaries' at the Pallant House Gallery
The British Ambassador’s Residence in Vienna opened in 1875. It has the distinction of being one of the earliest buildings constructed for that purpose which remains in use as a British Ambassador’s Residence.
James Pryde’s painting, 'The Monument', features in 'James Pryde at Dunecht', at Daniel Katz Gallery, London from 5 October – 20 December 2019
The lack of art in embassy buildings was increasingly acknowledged after the First World War, during a period when the background of new ministers and ambassadors rising up through the ranks of Britain’s diplomatic workforce slowly started to change.
This series presented by Dr Laura-Maria Popoviciu, marks a new installation of works of art from the Government Art Collection at the British Ambassador’s Residence in Tehran.
Peas Are The New Beans by Bob and Roberta Smith, a 1993 painting, raised a smile at HM Treasury
From its informal foundation by ministerial memo back in 1898, historical portraits have formed some of the first purchases of the Collection and they continue to do so today.
Find out more about Ways of Seeing, our exciting collaboration this year with Waltham Forest, the first London Borough of Culture.
Works of art from the Collection are particularly well represented in New York City. The displays show the wide span of the Collection, from portraits and landscapes by 17th-century painters to works by several of Britain’s leading contemporary artists.
In 1925, a Hungarian nobleman of Polish origins, named Tibor Scitovszky de Nagyker, and his wife Hanna, built and occupied an elegant villa in neo-baroque style in the hills of Buda in Hungary.
Still Life with Artificial Flowers is an intricate print that evokes a snapshot of the artist’s mother’s front room in Birmingham. Hurvin Anderson graduated from Wimbledon School of Art in 1994 and his distinct painting style is informed both by British painters such as Leon Kossoff, Michael Andrews and David Hockney as well as a generation of Black British artists, Sonia Boyce, Eddie Chambers and Keith Piper.
Works from the Collection are regularly on the move. Find out about what’s needed to make this happen and the job mission of the art works themselves
The GAC display at the Residence ties together our efforts of portraying a modern, sustainable and innovative Britain, whilst linking to key historical events and individuals.
GAC historical curator, Dr Laura Popoviciu interviews Paul Brummell, Head of Soft Power and External Affairs at the Foreign and Commonwealth Office.
What's involved in being a GAC historical curator? Dr Laura-Maria Popoviciu takes us on a journey through time and space.