Location

Country: Sweden
City: Stockholm
Place: British Embassy

Augustus Charles Pugin fled to England in the 1790s, either because of his Royalism or on account of a duel. He seems to have landed in Wales, where he became a friend of the architect John Nash (1752–1835). He worked as a general artist, providing designs for Nash and painting scenery, before moving to London and studying at the Royal Academy Schools. He first exhibited architectural designs at the Academy in 1799 and, from 1807, began to exhibit at the Old Watercolour Society. Pugin worked on several projects for Rudolf Ackermann, including plates for The Microcosm of London and The Abbey Church of Westminster (1811–12). During this period he set up a school of architectural drawing and began to publish his own works. He was the father of A. W. N. Pugin, who designed the interiors of the Houses of Parliament.
Thomas Sutherland was a prominent aquatint engraver who specialised in sporting, coaching, naval and military subjects, as well as topographical views. His engravings were generally made after the designs of contemporary artists. His best known works are some of the 105 illustrations to Rudolf Ackermann’s ‘The Microcosm of London’ (completed in three volumes in 1810). Sutherland also produced a series of prints based on the Peninsular Battles of 1808 to 1814. He lived and worked in London.
Thomas Rowlandson was born in London, the son of a bankrupt wool and silk merchant. He studied at the Royal Academy Schools, making a trip to Paris during his time there, and won the silver medal in 1777. During the next two decades he made several continental tours, visiting France, Italy, Germany and Holland, as well as travelling extensively in England and Wales. He exhibited from 1775 to 1787 and, in 1789, received a legacy from an aunt, which he is said to have gambled away. From 1798, much of his work was for Rudolf Ackermann, most notably his illustrations for the three Tours of Dr Syntax (published 1812, 1820, and 1821) and The Microcosm of London (1808–10). He revisited France in 1814 and Italy in about 1820. Rowland continued to work almost until the end of his life. He is most famous as a caricaturist, but his work also included figure studies, portraits, marine subjects and landscapes.

Places

England, London, Chelsea, Duke of York's Headquarters

Subjects

reading (as Subject), topography, Victorian Genre, 19th century costume, military uniform, student, soldier, window, desk, curtain, public interior, educational interior

Materials & Techniques

aquatint, coloured aquatint

Artist

Auguste Charles Pugin (1762 - 1832)
Thomas Sutherland (1785 - 1838)
Thomas Rowlandson (1756 - 1827)

Title

Military College, Chelsea

Date

published 1 January 1810

Medium

Coloured aquatint

Acquisition

Purchased from Christie's, 22 January 1954

Provenance

With Agnew’s Gallery, London; by whom sold through Christie’s, London, 22 January 1954 (Lot 21; with GAC 2558-2581, 2583-2585); from which sale purchased by Richard Walker on behalf of the Ministry of Works

GAC number

2582