Mary Amelia Cecil (née Hill), Marchioness of Salisbury (1750-1835)

  • About the work

    In this portrait after Joshua Reynolds, Mary Amelia Cecil, Marchioness of Salisbury (1750-1835) is depicted full-length in a woody landscape. Displaying a bouffant coiffure, she wears an elegant satin dress and a long glove on her left arm. Her King Charles spaniel catches the end of her dress in his mouth, adding movement to the composition. 

    A supporter of the monarchy, showing political sympathy for William Pitt the Younger’s government, the sitter was known as a political hostess. Her political rival was Georgiana Cavendish, Duchess of Devonshire (1757–1806). She also engaged in sport, in particular archery and hunting. 

  • About the artist
    Joshua Reynolds was the dominant artistic personality during the age of George III. He was born in Plympton, Devon. From 1750 to 1752 he studied the work of the Old Masters in Rome. Reynolds returned via Florence and Paris, and settled in London in 1753. In 1759 he painted a portrait of the future king, George, Prince of Wales (Royal Collection). After George’s accession the following year, Reynolds was dismayed to learn that Allan Ramsay had been made Principal Painter to the King. This marked the beginning of increasing hostility between Reynolds and the King. Nonetheless, by 1760 Reynolds had established himself as the leading portraitist. He became President of the Royal Academy in 1768 and was knighted the following year.
  • Explore
    Cecil, Mary Amelia (née Hill), Marchioness of Salisbury
    Materials & Techniques
  • Details
    Mary Amelia Cecil (née Hill), Marchioness of Salisbury (1750-1835)
    published 1 December 1781
    Purchased from Colnaghi, October 1953
    GAC number