Search Results for: "Royal Hospital, Chelsea (long-term loans)"
Jan Siberechts’ painting ‘View of Longleat’ features in the British Galleries at the Victoria and Albert Museum as part of a long-term loan.
Learn about the Collection's latest loans of art to museums and exhibitions
James Pryde’s painting, 'The Monument', features in 'James Pryde at Dunecht', at Daniel Katz Gallery, London from 5 October – 20 December 2019
In response to constantly changing technologies and the ways in which people engage with art and visual culture, we are thrilled to unveil our new website.
Find out why art can be useful in international diplomacy, and the Collection’s role in strengthening Britain’s soft power
Art is one way of remembering Britain’s long-standing historical relationships with other nations. As Britain has shifted away from conflict and renegotiated its relationship with others in the postwar era, soft power and cultural diplomacy have become increasingly important national and political expressions.
Among the many aspects involved in being Deputy Director and Senior Curator at the Government Art Collection, Eliza Gluckman shares insight into one of her projects: curating the contemporary display in Paris
From its informal foundation by ministerial memo back in 1898, historical portraits have formed some of the first purchases of the Collection and they continue to do so today.
Barbara Hepworth’s ‘Conoid, Sphere and Hollow II’ features in the first monographic exhibition in Paris dedicated to the leading British sculptor, opening at the Musée Rodin on 5 November 2019.
GAC historical curator, Dr Laura Popoviciu interviews Paul Brummell, Head of Soft Power and External Affairs at the Foreign and Commonwealth Office.
Discover interesting and quirky facts about artworks within the Collection.
Paintings by Jessica Dismorr and Winifred Nicholson on loan to the exhibition, 'Radical Women: Jessica Dismorr and her Contemporaries' at the Pallant House Gallery
In this blog, Dr Laura Popoviciu gives an insight into the history of the British Embassy in Paris during the 19th century through a selection of historical works of art on loan to the embassy from the Government Art Collection.
The funding and provision of art for government buildings and embassies paused during the Second World War. A small number of works were lost, damaged or destroyed as a result of the hostilities. One exception was Battlefields of Britain by Christopher R. W. Nevinson.
Works from the Collection are regularly on the move. Find out about what’s needed to make this happen and the job mission of the art works themselves
Tacita Dean announced for Government Art Collection Commission
Find out more about Ways of Seeing, our exciting collaboration this year with Waltham Forest, the first London Borough of Culture.
The British Ambassador’s Residence in Vienna opened in 1875. It has the distinction of being one of the earliest buildings constructed for that purpose which remains in use as a British Ambassador’s Residence.
Our Digital Media & Photography Manager, Tony Harris, takes us behind-the-scenes for the careful process of photographing Lucy Skaer’s Me VIII (2012), as part of his job doing the photo-documentation of the Collection.
This series presented by Dr Laura-Maria Popoviciu, marks a new installation of works of art from the Government Art Collection at the British Ambassador’s Residence in Tehran.
The Government Art Collection has a substantial library of images of the Collection and these are available for commercial reproduction, educational or personal use.
After the War, several new works entering the Collection were displayed at 10 Downing Street, reflecting the mood of post-war Britain
Keen to champion Britain’s position in the world, Margaret Thatcher saw the potential of 10 Downing Street as a place to showcase art, and took an active interest in new displays.
Still Life with Artificial Flowers is an intricate print that evokes a snapshot of the artist’s mother’s front room in Birmingham. Hurvin Anderson graduated from Wimbledon School of Art in 1994 and his distinct painting style is informed both by British painters such as Leon Kossoff, Michael Andrews and David Hockney as well as a generation of Black British artists, Sonia Boyce, Eddie Chambers and Keith Piper.
The role of the Advisory Committee is to approve the acquisition and commission of works of art and to advise on the policy and stewardship of the Collection. See who the current members are.
Ever wondered what having a role in Collection is all about. Discover more about a typical day with a member of our Collections team.
Why the Government has an art collection, what it collects and why the Collection is spread across the world.
Dr Claire FitzGerald, Curator (Modern & Contemporary) tells us about her love for uncovering the stories hidden within the Government Art Collection
Tristram Hillier’s painting, ‘Fossils (February)’ features in ‘Landscapes of the Mind: the Art of Tristram Hillier’ at The Museum of Somerset, Taunton from 6 November 2019 – 18 April 2020
Works of art from the Collection are particularly well represented in New York City. The displays show the wide span of the Collection, from portraits and landscapes by 17th-century painters to works by several of Britain’s leading contemporary artists.
The story of not just one but three British Embassies in Germany and the art that has been displayed in them.
The GAC display at the Residence ties together our efforts of portraying a modern, sustainable and innovative Britain, whilst linking to key historical events and individuals.
In 1925, a Hungarian nobleman of Polish origins, named Tibor Scitovszky de Nagyker, and his wife Hanna, built and occupied an elegant villa in neo-baroque style in the hills of Buda in Hungary.