Search Results for: "Holy See"
Find out more about Ways of Seeing, our exciting collaboration this year with Waltham Forest, the first London Borough of Culture.
In 1925, a Hungarian nobleman of Polish origins, named Tibor Scitovszky de Nagyker, and his wife Hanna, built and occupied an elegant villa in neo-baroque style in the hills of Buda in Hungary.
The role of the Advisory Committee is to approve the acquisition and commission of works of art and to advise on the policy and stewardship of the Collection. See who the current members are.
Paintings by Jessica Dismorr and Winifred Nicholson on loan to the exhibition, 'Radical Women: Jessica Dismorr and her Contemporaries' at the Pallant House Gallery
The Government Art Collection dates back to 1899 when a small number of portraits and landscapes were bought for government offices as an economical way of sprucing up tired-looking rooms in Whitehall.
Moving away from its imperial past and engaging with a new postwar world order, Britain began building and shaping a new identity at home and abroad.
Barbara Hepworth’s ‘Conoid, Sphere and Hollow II’ features in the first monographic exhibition in Paris dedicated to the leading British sculptor, opening at the Musée Rodin on 5 November 2019.
Keen to champion Britain’s position in the world, Margaret Thatcher saw the potential of 10 Downing Street as a place to showcase art, and took an active interest in new displays.
This series presented by Dr Laura-Maria Popoviciu, marks a new installation of works of art from the Government Art Collection at the British Ambassador’s Residence in Tehran.
James Pryde’s painting, 'The Monument', features in 'James Pryde at Dunecht', at Daniel Katz Gallery, London from 5 October – 20 December 2019
Why the Government has an art collection, what it collects and why the Collection is spread across the world.
Works of art from the Collection are particularly well represented in New York City. The displays show the wide span of the Collection, from portraits and landscapes by 17th-century painters to works by several of Britain’s leading contemporary artists.
Spoliation of works of art during the Holocaust and World War II period
Still Life with Artificial Flowers is an intricate print that evokes a snapshot of the artist’s mother’s front room in Birmingham. Hurvin Anderson graduated from Wimbledon School of Art in 1994 and his distinct painting style is informed both by British painters such as Leon Kossoff, Michael Andrews and David Hockney as well as a generation of Black British artists, Sonia Boyce, Eddie Chambers and Keith Piper.
Adapting and reflecting the world around it, the ambition of the Collection is to continue to challenge and acknowledge its historical roots. New acquisitions are considered by subject, theme or an artist’s personal experience, all of which resonate with different aspects of contemporary British society
Among the many aspects involved in being Deputy Director and Senior Curator at the Government Art Collection, Eliza Gluckman shares insight into one of her projects: curating the contemporary display in Paris
Tacita Dean announced for Government Art Collection Commission
Works from the Collection are regularly on the move. Find out about what’s needed to make this happen and the job mission of the art works themselves
Tim Hitchens was Britain’s Ambassador to Japan from 2012–2016 and during that time, the GAC worked with him to curate new displays of art for the Embassy and Residence in Tokyo. In this interview from 2015, he reflects on the role that art played on site.
The British Ambassador’s Residence in Vienna opened in 1875. It has the distinction of being one of the earliest buildings constructed for that purpose which remains in use as a British Ambassador’s Residence.
Dr Claire FitzGerald, Curator (Modern & Contemporary) tells us about her love for uncovering the stories hidden within the Government Art Collection
The funding and provision of art for government buildings and embassies paused during the Second World War. A small number of works were lost, damaged or destroyed as a result of the hostilities. One exception was Battlefields of Britain by Christopher R. W. Nevinson.
GAC historical curator, Dr Laura Popoviciu interviews Paul Brummell, Head of Soft Power and External Affairs at the Foreign and Commonwealth Office.
By the 1930s, diplomats and officials became accustomed to working alongside historical artworks from the Collection and it was clear that art in embassies had an impact on how these buildings were experienced by visitors.
Our Digital Media & Photography Manager, Tony Harris, takes us behind-the-scenes for the careful process of photographing Lucy Skaer’s Me VIII (2012), as part of his job doing the photo-documentation of the Collection.
The GAC display at the Residence ties together our efforts of portraying a modern, sustainable and innovative Britain, whilst linking to key historical events and individuals.
The Government Art Collection has a substantial library of images of the Collection and these are available for commercial reproduction, educational or personal use.
After the War, several new works entering the Collection were displayed at 10 Downing Street, reflecting the mood of post-war Britain
In this blog, Dr Laura Popoviciu gives an insight into the history of the British Embassy in Paris during the 19th century through a selection of historical works of art on loan to the embassy from the Government Art Collection.